Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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HALS, Frans
The Meagre Company (detail) a

ID: 07337

HALS, Frans The Meagre Company (detail) a
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HALS, Frans The Meagre Company (detail) a


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HALS, Frans

Dutch painter (b. 1580, Antwerpen, d. 1666, Haarlem).   Related Paintings of HALS, Frans :. | Jasper Schade | Portrait of a man | Portrait of a Man sg | Boy Playing a Violin | Officers and Sergeants of the St Hadrian Civic Guard sf |
Related Artists:
Balthasar Anton Dunker
German, 1746-1807
LEDESMA, Blas de
Spanish painter documented 1602-1614 in Granada,Spanish painter. He is known to have worked in Granada from 1602, and in 1614 he designed a stucco vault decoration for the Alhambra. Archival sources testify to his renown as a painter of decorative fresco grotesques (untraced) and still-lifes. His activity as a still-life painter remains debatable, partly because he has been confused with Blas de Prado and also because of Torres Marten's controversial attributions. Ledesma's only unanimously accepted autograph painting is Still-life with Cherries and Flowers (Atlanta, GA, High Mus. A.), signed in Granada. A highly decorative painting, it shows none of the sophistication of still-lifes by Juan Senchez Cot?n, in Granada from 1603. It is painted meticulously and drily. Depicting a severely drawn, rather flat basket on a narrow ledge flanked by flowers behind it, the rigorously symmetrical composition is relieved only by soft lighting and the studied disarray of some fallen cherries. Two other unsigned and poorly preserved still-lifes of analogous subject-matter have been attributed to Ledesma
CUYP, Aelbert
Dutch Baroque Era Painter, 1620-1691 Painter and draughtsman, son of (1) Jacob Cuyp. One of the most important landscape painters of 17th-century Netherlands, he combined a wide range of sources and influences, most notably in the application of lighting effects derived from Italianate painting to typical Dutch subjects. Such traditional themes as townscapes, winter scenes, cattle pieces and equestrian portraits were stylistically transformed and given new grandeur. Aelbert was virtually unknown outside his native town, and his influence in the 17th century was negligible.






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